The Finest Music

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There is an old Celtic myth regarding Fionn Mac Cumhail, the hunter and warrior who’d eaten the Salmon of Knowledge when he was a boy. He was sitting with his followers, the Fianna, one day, listening to their earnest discussion about what they believed to be the world’s finest music.

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One said it was the call of the mourning dove at dawn; another the baying of hounds in hunt; still others said, no, it’s the laughter of a child, or the sigh of a lover, or the rush of wind across the sea.

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Finally, they turned the question over to their leader and asked for his response. Fionn considered in silence and then replied, with a customary enigmatic smile, “The finest music in the world is the music of what happens.”

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I’ve been carrying that story in my heart the past few weeks, along with Seamus Heaney’s comment that in creating his poems he tried to “stay close to the energies of generation.” Both Fionn and Seamus seem to be inviting us to bring a focused awareness to the present moment, nothing new in wisdom literature, but stated in ways that caught my attention and pleased me, so both “listen to the music of what’s happening,” and, “stay close to the energies of generation” have become new mantras throughout my days.

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I was reminded of the old question, “Do you want to be a human doing or a human being?” Accomplishing tasks and reaching goals show we’re using our gifts, and hopefully, to help the earth and her creatures survive another turn with kindness, creativity, gentleness, and humor, but we can sometimes “do” without pause, as a distraction from just being, and miss hearing the finest music of our lives.

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Considering events as the music of what happens keeps me from judging them too quickly or labeling them as good or bad. It’s much more peaceful and pleasing to listen for the music they create, and how these chords fit into the established melodies of my day and life.

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I’ve taken a new job, working with seniors at a large facility a far distance from home. I love the people, the place, and the work, but was hesitant, initially, because saying yes meant crating the pups three days a week. (The job is just 28 hours a week, at this time.) Up to now, they’ve only been crated for a nap during the day and at night, for sleep. We were both very concerned about the pups spending long work days so confined.

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But I listened for the music and focused on discovering the best possible outcome.

A dear friend gave me the number of the woman who provides dog-walking services for her. I contacted Jill, who came and met with the pups and me, and we were all smitten with her energy and spirit. She is enthusiastic about visiting Mickey and Malarky at midday, and taking them for a walk, so that has eased my heart greatly.

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The damage from the roof leak I spoke of in the last post will require extensive remodeling: a new roof, some drywall repair, ceiling work, and perhaps some roof beams will need replacement. We decided to forego replacing the skylights that led to the leak, and I’ll miss the added indoor light they provided, but I’m going with lighter paint colors in the rooms, and that will make a difference. Thankfully, our insurance will help pay for all of this, and Phillip can do a lot of the work. And we wanted to update those two rooms (the dining room and kitchen) anyway. So, what began as something akin to discordant crashing and banging has been untangled and quite nicely woven into the music of what happens.

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 St. Clare of Assisi is reported to have said, right before she died, “Thank you for letting me be a human being.” So often, we go through life pinning joy to “someday, not this, not yet,” waiting for all of our expectations of the way life “should be” to simultaneously occur, fall into place, and remain perfect from then forward. Yet, all the while, the finest music, the symphony created right here and now, where the energies of generation in our own once-in-a-lifetime human life are happening, is being played.

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So, let us attend, listen to, and love the music of what happens, my friends, and be grateful for every note: the sweet, the sour, the out of tune, and the surprising grace notes flitting through all.

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Blessings on your week and the music of what happens.

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© Copyright of all visual and written materials on The Daily Round belongs solely to Catherine M. O’Meara, 2011-Present. Unauthorized use is strictly prohibited, without Catherine O’Meara’s written approval. No one is authorized to use Catherine O’Meara’s copyrighted material for material gain without the author’s engagement and written permission. All other visual, written, and linked materials are credited to their authors.

The Space Between the Notes

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“Music is the space between the notes.”  ~ Claude Debussy

The long inhalation of excitement and joy that begins in September and lasts through the Christmas holidays has been exhaled over the past week or so. The decorations are almost all put away—a few are “wintry” enough to last through February, along with a few that foretell Valentine’s Day—and my energy has settled deep within.

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St Coletta sleds, birds, cats 030We attended a post-holiday-holiday-party and several guests mentioned their dislike for the months of January and February.

I nodded sympathetically but remained unengaged with the conversation, because I tend to love the months for their stillness and gifts of time for sifting through recent experiences, re-gathering my spirit, noticing little regressions and evolutions, and seeing clearly where I am on my journey, before heading into the new year with renewed energy. Each new year is like a musical composition my little spirit co-creates with Spirit. Twelve measures of music, or possibly 52, or 365; each a movement of its own. I’m grateful it begins–somewhat non-traditionally, I suppose–with a long rest, so I can hear the music shape itself and its themes for the coming year.

Many of the other guests at the party were teachers, however, and I could empathize with their post-holiday weariness and return to classroom routines.

January and February can be cold and the days are still brief. Their passage can be slow and uneventful and they’re rather anticlimactic, following the long season of holidays and traditional gatherings with friends and family. The crescendo diminishes to silence.

But what an invitation to be creative and start some new traditions!

Phillip and I tend to use these slower winter months to get out of the weekend routine and go on day trips. Last weekend, we traveled to the Wisconsin River area and combined an eagle-sighting adventure with a visit to a well-established and award-winning winery.

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Eagles, Wollersheim, Murphy 099We have a few more adventures planned between now and spring break, and I’m looking forward to them. Sometimes we’re surprised by the fun a new place or experience offers and even if it’s less than stellar, we’re together and, usually, laughing.

This week, I was surprised with a visit from my nephew and his family, a true boost to the spirit. One of the gifts of working at home is being able to say yes (or, as we say in Wisconsin, “You betcha!”) to spontaneous visits.

Andrews Family 015I’ve always thought it would be fun to schedule gatherings with close women friends during these months, to share spiritual stories, practices, books, and films, and to reinforce each other’s spirits and affirm our journeys. We become so busy when the days grow longer. It might be helpful to get together once or twice a month in January and February to transfuse each other’s spirits with renewed energy and share a very-mini-retreat, helping each other get our spirits in tune for the months ahead.

Traveling through the year’s music, its rhythms and beats, its familiar melodies and new improvisations, invites greater intentionality and sensitivity from me than I was prepared or wise enough to offer when I was younger. Letting Spirit be the conductor is easier, however, and I welcome her gift of an initial multi-measure rest, because it allows me to hear her deeper song, the one she sings in my heart and bids me to dance when the music of the year continues.

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Eagles, Wollersheim, Murphy 027(Murphy says, “I crawl under my blanket, watch Downton Abbey, and take a two-month retreat.”)

 

© Copyright of all visual and written materials on The Daily Round belongs solely to Catherine M. O’Meara, 2011-Present. Unauthorized use is strictly prohibited, without Catherine O’Meara’s written approval. No one is authorized to use Catherine O’Meara’s copyrighted material for material gain without the author’s engagement and written permission. All other visual, written, and linked materials are credited to their authors.

Music and the Food of Life

Life at Full Moon seems to be recovering well following our long weeks of drought. We mourn our losses, but tend the living, grateful for the blooms and vegetables that survived. For now.

I was weeding in the garden yesterday and enjoyed the thrumming hum a variety of bees made as they buzzed from plant to plant. A bumblebee climbed a licorice spire of hyssop with concentrated intensity.

Butterflies fluttered through, barely lighting on blossoms before sailing off; the birds seemed to be having choral practice at the feeder and consuming sunflower seeds in spectacular quantities.

It seems the music of life becomes more intense as we edge nearer to autumn’s first frost, and the Great Silence of winter hushes all for a time. (I’ve often wondered, though, if snowflakes fall to a music that flows in wavelengths beyond our auditory capacity.)

The evening symphony of crickets, cicadas, and katydids has pulsed throughout the night this week, like Poe’s tintinnabulation of bells. I love their silvery percussive music and am grateful our cooler weather allows windows to be open.

This morning I went out to water plants on the deck and discovered the milky latex from the rubber tree’s stem dripping onto some leaves below the point of injury. Looking more closely, I discovered a female katydid nestled in a leaf’s crevice, and suspected katydid it. 

I later learned there are more than 100 varieties of katydids in our country and over 4,000 throughout the world. My visitor was of the genus and species Scudderia furcata: a Fork-tailed Bush katydid, and a cousin to crickets. She’d likely deposited eggs in a stem or leaf of the rubber plant, slitting it with her ovipositor and thus releasing the latex.

If so, nymphs will emerge next spring and, after successive molts, mate and deposit their own eggs a year from now.

All of life in a year.

My katydid isn’t a musician. In her species, only the male sings by rubbing a scraper on one forewing against a toothed edge on the other (stridulation). She heard her mate’s call through tympana, hearing organs located on her forelegs. It gave me pause to imagine our world if humans spoke and heard like katydids! But maybe we’re not all that different; after all, Phillip’s music and voice served as quite an attractant when I first heard him sing.

I missed the music of the birds and insects during the drought. It seemed to wither and withdraw. Its absence didn’t offer the peaceful, centered silence of meditation; it was more like a vacuum existed where once there had been sound, an element of life that connected us and made our spirits whole had abandoned us. If there were calls and songs, they sounded brittle, thirsty and desperate.

But the great music of life that calls us to merge, to love, to eat, drink, and make merry has returned and I’m almost as thankful for this as I am for the restorative rains.

I like the music for its honesty and lack of false sentiment: it says, “Come to me and we’ll marry our energy to create more life together.” It acknowledges that sometimes this is done though mating and at other times through surrender.

Katydids prey upon plants and slower-moving insects like aphids. They have an extra pair of miniature legs dangling from their chins, like built-in silverware, to help them efficiently consume their energy, in whatever form it takes. Birds, bats, small mammals and, in some cultures, people, eat the katydid.

The clematis died in the drought and has been feeding microbes for weeks. The vegetables that didn’t die will soon be on our table and in the freezer.

All this beauty, all this lovely music, all these relationships…all seeking to mate and create, to eat, or to accept capture and so transform one’s energy into others’ food, an ending none of us escapes.

Sweet, devouring life: all of us fed and feeding. Death just means someone or something’s been granted a feast. Nature imposes her balanced justice: in the end, we all become another’s banquet.

But first, we make and merge the music of our lives, which is to say the music of loving our way through droughts and into seasons of peace and joy. Once more round the circle. All the music of creation is perhaps a way of saying, “Thank you” to Love, just for the chance to sing and hear the songs of our spinning planet.

One day something will sing for its supper and it will be me. (“I” would be the correct grammar; I don’t think that will matter then.) May they be as grateful for the meager meal I offer as I have been for the bounty offered to me. And may what remains of my energy offer sustenance in love…

If music be the food of Love, play on.

 

© Copyright of all visual and written materials on The Daily Round belongs solely to Catherine M. O’Meara, 2011-Present. Unauthorized use is strictly prohibited, without the author’s written approval. No one is authorized to use Catherine O’Meara’s copyrighted material for material gain without the author’s engagement and written permission. All other visual, written, and linked materials are credited to their authors. Thank you, and gentle peace.

Each dusk has its music

Each dusk has its music;

Summer has symphonies.

Bird calls settle, diminish. Sonata ends

as the song of crickets rises, sparking

the rise of fireflies,

seeking mates upon the flashing earth.

(A sideshow! Sweet ballet of lust and creation:

seeker and sought,

rose-scented pilgrimage,

light and sound and smell commingling…)

And then spring peepers, the third movement chorus—

a sound crying through the heart

to the deeper heart.

Wind whispers, caressing trees, gentling leaves:

hushed dream percussion.

Then all flow together: bird, cricket, peeper, breeze…

Light meets light and music recedes—

earth’s lullaby to her lonely

children, a nightly offering.

Take your seat; the show is free…

Add your song of

stillness and gratitude.

 

(Crickets and Spring Peepers together: http://www.youtube.com/watch?v=UWFjhEYXbbU&feature=related )

 

© Copyright of all visual and written materials on The Daily Round belongs solely to Catherine M. O’Meara, 2011-Present. Unauthorized use is strictly prohibited, without the author’s written approval. No one is authorized to use Catherine O’Meara’s copyrighted material for material gain without the author’s engagement and written permission. All other visual, written, and linked materials are credited to their authors. Thank you, and gentle peace.

Life Music

 The morning began with a lovely solo sung by Riley, serving as her impromptu accompaniment to a loud siren hurtling down a country highway. She has a beautiful voice. Sometimes Phillip and I start a “howl song” just to have the pups join in. It seems to be a deeply bonding experience for them. A pack song, a family theme; an ancient call, heart to heart.

Music is almost always playing at Full Moon Cottage, just as it was in our childhood homes.

I was born with music inside of me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me—like food or water.  ~ Ray Charles

Phillip’s dad was in a Milwaukee barbershop quartet called the Cream City Four, and sang 30’s and 40’s standards in another group, when he wasn’t singing with Milwaukee’s Florentine Opera or directing church choirs. Phillip’s sister has had a successful career as an opera singer and is now a sought-after vocal and performance teacher. His other sister is an accomplished pianist, and his brother sings with the symphony chorus is Madison.

There was always music in my home, too. My mother listened to NPR from morning till dinner time. In those days, this meant that between Morning Edition and All Things Considered at day’s end, classical music was played all day long (except during Chapter-a-Day at noon). Both of my parents loved Broadway musicals, and my father had a special fondness for big band music. And then, late at night, jazz would be playing on the stereo as I drifted off to sleep.

I was always singing and “banging on the piano,” and later pursued a theater degree in part because of my love for musicals.

I can carry a tune; Phillip’s voice stops hearts. I’ve experience this “Phillip effect” for almost 20 years, and have seen it happen to others over and over. It is an amazing gift and I’m grateful every time I hear his voice and witness the way it touches people’s spirits.

Music is usually playing when I write, clean house, cook…we like every kind of music, and our CD collection is proof of this. We have it all arranged on lovely carousels that hold hundreds of  CD’s stacked vertically—500 CD’s per carousel—and then we can “program” the CD’s by genre, or artist, etc., and whether we want the music to shuffle and play random songs within the selected genre, play an entire album, etc. Very old-fashioned, almost a Victrola, but without the handle to wind…

We haven’t yet upgraded to digital music, and this is mostly due to the years we imagine passing while we burn  the CD’s and convert hundreds of old albums to digital signals. I imagine our hair turning white and walkers appearing in our hands as we trundle back and forth between our CD and album stash and the computer…and then I imagine finishing this Herculean task just in time to learn everything we’ve done is outmoded. (Kitty gasps; falls to floor; dies.)

No, wait! I couldn’t die at that point, because I have a Master List of music that I would like played at my Memorial Service…the service will have to last about a month at this point, but it will be a wonderful aural experience; I promise! If we can locate the right technology.

Music expresses that which cannot be said and on which it is impossible to be silent.  ~ Victor Hugo

Music heals; it stimulates and inspires; it changes us; it connects us and make us whole. I use music in my spiritual direction and I used it as a chaplain. There is a practice called “threshold singing.” It started here (http://www.thresholdchoir.org/), and promotes rehearsed, a capella songs offered to those waiting at the threshold between life and death. There are also harpists trained in “music thanatology,” and other musicians trained in techniques for accompanying those on healing journeys. You can read more about this here: (http://www.growthhouse.org/music.html)

I knew a nun who found a beautiful harp in the attic of her convent, had it restrung, polished and restored, and then taught herself to play it. She lugged it around to her city’s two large hospitals and played her harp for years, eventually receiving donations to purchase smaller, more portable harps.

It was no surprise that families and staff members at these hospitals felt the positive effects of her music, and she had some deeply graced experiences with patients as well. One woman lay in a coma that physicians had predicted she would remain within until her death. While the nun played her music just outside the patient’s room to soothe the family’s loss, the woman was gentled into wakefulness.  She later told the nun, “I was disappointed to still be here; your music led me to understand I was in heaven!”

Balfour Mount, one of the founders of Palliative Medicine in North America, wrote, “Music has touched the human soul across all boundaries of time, space, and genre…Perhaps, in its vibratory nature, music opens us to a greater appreciation of our essential connectedness to the cosmos, our oneness with all that is.” If you’ve ever watched one of the many flash mobs cause a breakout of spontaneous joy at a public gathering space, you know how music can affect and connect our spirits.

Music washes away from the soul the dust of everyday life. ~ Berthold Auerbach

I love watching the crowds at the flash mobs: they stop and notice–something I fear our increasingly busy lives don’t allow us to do—and then they are delighted. Their inner children often come out to play. Here is one of my favorites, in Antwerp, when a flash mob performed “Do Re Mi” from Rogers and Hammerstein’s Sound of Music. http://www.youtube.com/watch?v=7EYAUazLI9k People often cry in response to such joyful invitations. Music can so quickly touch deep memories, unconscious needs, losses, and desires. And how healing it can be when we allow our bodies to move freely in response to the impetus of melody and rhythm.

And here is Ben E King’s Jerry Leiber’s, and Mike Stoller’s, Stand by Me, performed by musicians throughout the world: http://vimeo.com/moogaloop.swf?clip_id=2539741, another lovely collaboration.

Music is vibration and so, at minute particle levels, are we; we’re bouncing particles, moving in waves, and everything is music. I wish we could hear more than the limited bandwidth we humans can manage, but I love the music of this beautiful cosmos that I’m able to hear: birdsong and rain, wind and beating wings, life’s breath, laughter, children’s voices, singing dogs, and my husband’s voice.

Many say that life entered the human body by the help of music, but the truth is that life itself is music. ~ Hafiz, Persian Sufi poet

 

© Copyright of all visual and written materials on The Daily Round belongs solely to Catherine M. O’Meara, 2011-Present. Unauthorized use is strictly prohibited, without the author’s written approval. No one is authorized to use Catherine O’Meara’s copyrighted material for material gain without the author’s engagement and written permission. All other visual, written, and linked materials are credited to their authors. Thank you, and gentle peace.